“HML” doesn’t always imply miserable straits. Under the wright pretenses, it conveys a completely different line of thought, akin to a submissive person presenting a desirous olive branch. In her duet performance with A Boogie Wit Da Hoodie, the acronym is put to good use.

A Boogie, hell-bent on displaying his singer-rapper verisimilitude, adds an echoing refrain to Melii’s submissive call.

Somewhere off in the gallows, Melii and A Boogie are fictional lovers. That’s the mastery of pop-rap coupling; every account is rendered believable by musical cohesion, and in the case of his A-Boogie’s last duet, a little contextual info.

The last time A Boogie Wit Da Hoodie was cast in the fictional realm of a hip-hop showmance, he and Remy Ma seemed for all intents and purposes, not well suited (romantically).

Remy is viewed primarily as the archetypal “bossy boots femme” with an oh-so-public marriage to Papoose, rendering her incompatible with a soft-spoken A Boogie, several years her junior.

On the surface, A Boogie wants nothing more than to vex on his exes, only to let his guard down with Melii in close proximity. And with her feigned reproach, comes a new day, and thus an end to A Boogie’s uncontested ego as a songwriter.

Download Melii Ft. A Boogie Wit Da Hoodie – HML mp3;

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